Scientific Papers, Reports, and Broadcasts


1-61
  The History of Christian Art in Europe
  (61 Broadcasted Programs, Radio Vaticana-Sezione Romena
  1974-1975:   1-28: Early Christian Art;
  29-33: Carolingian Renaissance;
  34-40: Ottonian Art;
  41-44: Romanesque Art;
  45-61: Gothic Art.)


62
  Imaginile Sacre si Spiritul unei Tehnici
  Buna Vestire XIII 3-4 (1974), 131-163 (Tipografia Poliglota Gregoriana,
  Rome, Italy)


63
  Studiu asupra Bisericilor dela Voronet si Arbore
  Buna Vestire XV 3-4 (1976), 65-100 (Tipografia Poliglota Gregoriana,
  Rome, Italy)


64
  The Medium and Grounds of 17th Century Flemish and Dutch Pictures
  of Flowers Convegno di studi sul Restauro a Dieci Anni dall' Alluvione
  in Firenze, 1976 (Florence: Edizioni Polistampa, 1981)
  I 59-62


65
  Two Retouching Media
  Ibid., 63-65.


66
  The Manufacture of Oil Vehicles for Painting Purposes
  13th I.S.F. International Congress, Section Lipids in Art, Marseille,
  France, 1976 (Marseille: Laboratoire National des Matieres Grasses -
  Institut des Corps Gras and Modena: Artioli, 1976)
  5-15.


67
  Properties of Basic Lead Carbonate Ground in Various Vehicles
  in collaboration with Dr. C. Y. Jeanson, 14th I.S.F. International
  Congress, Section Lipids in Art, Brighton, England, 1978
  (Modena and Correggio: Artioli and S.I.R.A.I., 1980)
  85-101.


68
  Grounds for Oil Painting. A Survey of Materials
  in collaboration with M. Sanchez Posada
  Ibid., 71-77.


69
  The Materials and Techniques of Spanish Masters
  in collaboration with M. Sanchez Posada
  Ibid., 57-61.


70
  Inquiry into the Nature of Oils and Varnishes Used in the Low Countries
  Ibid., 113-124.


71
  The Notes of De Mayerne on Artists' Oil Colors
  Ibid., 103-109.


72
  The Strasburg Manuscript, a Compendium of Van Eyck's Materials and
  Techniques, Ibid., 127-134.


73
  Notes on Artists' Materials. A Short Treatise on the Art of Painting
  Ibid., 139-153.


74
  Space, Color, Medium
  Ibid., 159-180.


75
  Emulsions et Mediums
  Ibid., 88-90.


76
  Notes on Some Formulas for White Oil Colors
  Ibid., 77-78.


77
  Experimental Oil Painting 1973
  Ibid., 78-79.


78
  Notes on Romanian Painting Techniques
  Ibid., 79-80.


79
  Pacheco: Original Extracts on Distemper, Tempera and
  Illuminating Materials
  Ibid., 61-62.


80
  The Construction of a Painting. Introduction
  Ibid., 62-64.


81
  Amber and the Italian Varnish
  Ibid., 64-65.


82
  Wax and Other Materials
  Ibid., 64-65.


83
  Alchemy and the Art of Painting in Oils
  Ibid., 135.


84

  Les Materiaux pour Couleurs a l'Eau et Pastels dans le
  Manuscrit du Docteur Turquet de Mayerne
  Ibid., 135-138.


85
  Poppy Oil Vehicles
  Ibid., 125-126.


86
  Inpainting Media
  Ibid., 153-154.


87
  Critical Evaluation of Published Data on the Composition of Ancient
  Materials. Some Questions of Research and Practice (Unpublished
  paper, I.S.F.-A.O.C.S. 1980 International Congress, Section Lipids
  in Art, New York, USA)


88
  Drawing Materials, a Preliminary Study. Restoration Problems of
  Drawings Executed in Mixed   Techniques in collaboration with M.
  Sanchez Posada de Arteni
  Ibid.


89
  Technological Innovation and Manufacture of Oil Painting Materials:
  Evolution from Hand-Craft to Mass Production
  Ibid.


90
  Color Mixtures, a Clue to the Study of Oil Painting
  Ibid.


91
  The 'Secret' of the Masters
  Ibid.


92
  Preparation of Colors
  Ibid


93
  Report on the Meeting of Section Lipids in Art, May 1, 1980
  Survey on Lipid Science and Technology 1980.
  Reports from the Joint I.S.F./A.O.C.S. Congress-15th I.S.F. Congress
  123-133.


94
  Pallady. Twentieth Century Romanian Painting in Europe
  (Unpublished paper, A. R. A. 2, 1977)


95
  A Century of Romanian Painting: 1877-1977
  (Unpublished paper, A.R.A. 3, 1978)


96
  Aesthetic Problems of the Paint Layer: Moldavian Wall Painting,
  Easel Painting and Illumination in Relation to Modern Oil Painting in
  Romania. First Part.
  (Unpublished paper, A.R.A. 4, 1979)


97
  Aesthetic Problems of the Paint Layer: Moldavian Wall Painting,
  Easel Painting and Illumination in Relation to Modern Oil Painting in
  Romania. Second Part.
  (Unpublished paper, A.R.A. 5, 1980)


98
  Materials and Techniques of Glass Sub-Surface Painting
  Ibid.


99
  Painter, Manufacturer of Artists' Materials and Conservator:
  Historical and Aesthetic Significance of Their Role in the Survival of a
  Painting in collaboration with M. Sanchez Posada de Arteni,
  I.C.O.M. Committee for Conservation 6th Triennial Meeting, Ottawa,
  Canada, 1981, published as I.C.O.M. Report 81/11/2.


100
  Color and Romanian Painting
  (Unpublished paper, A.R.A. 6, 1981)


101
  Farbenmishung und Oelfarben
  (Unpublished paper, FARB-INFO 82, Amsterdam, Holland, 1982)


102
  Color Mixtures, a Clue to the Study of Oil Painting
  in collaboration with M. Sanchez Posada de Arteni, Fourth International
  Restorer Seminar, Veszprem, Hungary, 1983
  (Budapest: National Centre of Museums and U.N.E.S.C.O., 1984)
  121-134.


103

  From Handcraft to Massproduction, Notes on the Manufacture of
  Oil Painting Materials
  in Collaboration with M. Sanchez Posada de Arteni,
  Fourth International Restorer Seminar Veszprem, Hungary, 1983,
  unpublished.


104
  Glass Sub-Surface Painting in Romania, Seventeenth to Twentieth
  Centuries in collaboration with M. Sanchez Posada de Arteni,
  I.C.O.M. Committee for Conservation 7th Triennial Meeting, Copenhagen,
  Denmark, 1984 (Paris: I.C.O.M. and J. Paul Getty Trust, 1984), Report 84/3/1.


105
  Critical Evaluation of Data on the Composition of Ancient Materials.
  Part I: Structural Components of the Paint Layer. Part II: Paints and
  Techniques in collaboration with M. Sanchez Posada de Arteni
  Ibid., Report 84/11/2.


106
  Materials of the Artist. The Survival of Traditional Grounding and
  Priming Methods for Oil Painting
  in collaboration with M. Sanchez Posada de Arteni, Ibid., Report 84/11/8.


107
  The Secret of the Masters: Historical Controversies and Hypotheses
  in collaboration with M. Sanchez Posada de Arteni, Ibid., Report 84/11/12.


108
  From Handcraft to Massproduction. Notes on the Manufacture of
  Oil Painting Materials
  in collaboration with M. Sanchez Posada de Arteni, Ibid., Report 84/19/1.


109
  Artist, Preserver, and the Question of Survival for Contemporary Painting
  Fifth International Restorer Seminar, Veszprem, Hungary, 1985
  (Budapest: National Centre of Museums and U.N.E.S.C.O., 1985)
  121-125.


110
  Nuestro Ancestro Esta en Peligro
  in collaboration with M. Sanchez Posada de Arteni,
  International Conference on Archives,
  Cali, Colombia, 1986, Unpublished.


111
  Peinture, Restoration, Societe
  in collaboration with M. Sanchez Posada de Arteni,
  I.C.O.M. Comittee for Conservation 8th Triennial Meeting,
  Sydney, Australia, 1987
  (Los Angeles: J. Paul Getty Conservation Institute, 1987)
  II 525-531.


112
  The Essential Dilemma of Contemporary Painting
  Sixth International Restorer Seminar, Veszprem, Hungary, 1987
  (Budapest: National centre of Museums and U.N.E.S.C.O., 1987)
  443-448.


113
  Drawing Materials and Water-base Mediums
  in collaboration with M. Sanchez Posada de Arteni
  Ibid., 449-456.


114
  A Wandering Journey
  Unpublished lecture/calligraphy demonstration
  (Greek, Sanskrit, Chinese, Japanese)/calligraphy workshop, April 7, 1999,
  St. Mark's Library, The General Theological Seminary, New York, NY.

 

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