Scientific Papers, Reports, and Broadcasts
1-61
The History of Christian Art in Europe
(61 Broadcasted Programs, Radio Vaticana-Sezione Romena
1974-1975: 1-28: Early Christian Art;
29-33: Carolingian Renaissance;
34-40: Ottonian Art;
41-44: Romanesque Art;
45-61: Gothic Art.)
62
Imaginile Sacre si Spiritul unei Tehnici
Buna Vestire XIII 3-4 (1974), 131-163 (Tipografia Poliglota
Gregoriana,
Rome, Italy)
63
Studiu asupra Bisericilor dela Voronet si Arbore
Buna Vestire XV 3-4 (1976), 65-100 (Tipografia Poliglota Gregoriana,
Rome, Italy)
64
The Medium and Grounds of 17th Century Flemish and Dutch Pictures
of Flowers Convegno di studi sul Restauro a Dieci Anni dall'
Alluvione
in Firenze, 1976 (Florence: Edizioni Polistampa, 1981)
I 59-62
65
Two Retouching Media
Ibid., 63-65.
66
The Manufacture of Oil Vehicles for Painting Purposes
13th I.S.F. International Congress, Section Lipids in Art,
Marseille,
France, 1976 (Marseille: Laboratoire National des Matieres
Grasses -
Institut des Corps Gras and Modena: Artioli, 1976)
5-15.
67
Properties of Basic Lead Carbonate Ground in Various Vehicles
in collaboration with Dr. C. Y. Jeanson, 14th I.S.F. International
Congress, Section Lipids in Art, Brighton, England, 1978
(Modena and Correggio: Artioli and S.I.R.A.I., 1980)
85-101.
68
Grounds for Oil Painting. A Survey of Materials
in collaboration with M. Sanchez Posada
Ibid., 71-77.
69
The Materials and Techniques of Spanish Masters
in collaboration with M. Sanchez Posada
Ibid., 57-61.
70
Inquiry into the Nature of Oils and Varnishes Used in the
Low Countries
Ibid., 113-124.
71
The Notes of De Mayerne on Artists' Oil Colors
Ibid., 103-109.
72
The Strasburg Manuscript, a Compendium of Van Eyck's Materials
and
Techniques, Ibid., 127-134.
73
Notes on Artists' Materials. A Short Treatise on the Art of
Painting
Ibid., 139-153.
74
Space, Color, Medium
Ibid., 159-180.
75
Emulsions et Mediums
Ibid., 88-90.
76
Notes on Some Formulas for White Oil Colors
Ibid., 77-78.
77
Experimental Oil Painting 1973
Ibid., 78-79.
78
Notes on Romanian Painting Techniques
Ibid., 79-80.
79
Pacheco: Original Extracts on Distemper, Tempera and
Illuminating Materials
Ibid., 61-62.
80
The Construction of a Painting. Introduction
Ibid., 62-64.
81
Amber and the Italian Varnish
Ibid., 64-65.
82
Wax and Other Materials
Ibid., 64-65.
83
Alchemy and the Art of Painting in Oils
Ibid., 135.
84
Les Materiaux pour Couleurs a l'Eau et Pastels dans le
Manuscrit du Docteur Turquet de Mayerne
Ibid., 135-138.
85
Poppy Oil Vehicles
Ibid., 125-126.
86
Inpainting Media
Ibid., 153-154.
87
Critical Evaluation of Published Data on the Composition of
Ancient
Materials. Some Questions of Research and Practice (Unpublished
paper, I.S.F.-A.O.C.S. 1980 International Congress, Section
Lipids
in Art, New York, USA)
88
Drawing Materials, a Preliminary Study. Restoration Problems
of
Drawings Executed in Mixed Techniques in collaboration
with M.
Sanchez Posada de Arteni
Ibid.
89
Technological Innovation and Manufacture of Oil Painting Materials:
Evolution from Hand-Craft to Mass Production
Ibid.
90
Color Mixtures, a Clue to the Study of Oil Painting
Ibid.
91
The 'Secret' of the Masters
Ibid.
92
Preparation of Colors
Ibid
93
Report on the Meeting of Section Lipids in Art, May 1, 1980
Survey on Lipid Science and Technology 1980.
Reports from the Joint I.S.F./A.O.C.S. Congress-15th I.S.F.
Congress
123-133.
94
Pallady. Twentieth Century Romanian Painting in Europe
(Unpublished paper, A. R. A. 2, 1977)
95
A Century of Romanian Painting: 1877-1977
(Unpublished paper, A.R.A. 3, 1978)
96
Aesthetic Problems of the Paint Layer: Moldavian Wall Painting,
Easel Painting and Illumination in Relation to Modern Oil
Painting in
Romania. First Part.
(Unpublished paper, A.R.A. 4, 1979)
97
Aesthetic Problems of the Paint Layer: Moldavian Wall Painting,
Easel Painting and Illumination in Relation to Modern Oil
Painting in
Romania. Second Part.
(Unpublished paper, A.R.A. 5, 1980)
98
Materials and Techniques of Glass Sub-Surface Painting
Ibid.
99
Painter, Manufacturer of Artists' Materials and Conservator:
Historical and Aesthetic Significance of Their Role in the
Survival of a
Painting in collaboration with M. Sanchez Posada de Arteni,
I.C.O.M. Committee for Conservation 6th Triennial Meeting,
Ottawa,
Canada, 1981, published as I.C.O.M. Report 81/11/2.
100
Color and Romanian Painting
(Unpublished paper, A.R.A. 6, 1981)
101
Farbenmishung und Oelfarben
(Unpublished paper, FARB-INFO 82, Amsterdam, Holland, 1982)
102
Color Mixtures, a Clue to the Study of Oil Painting
in collaboration with M. Sanchez Posada de Arteni, Fourth
International
Restorer Seminar, Veszprem, Hungary, 1983
(Budapest: National Centre of Museums and U.N.E.S.C.O., 1984)
121-134.
103
From Handcraft to Massproduction, Notes on the Manufacture
of
Oil Painting Materials
in Collaboration with M. Sanchez Posada de Arteni,
Fourth International Restorer Seminar Veszprem, Hungary, 1983,
unpublished.
104
Glass Sub-Surface Painting in Romania, Seventeenth to Twentieth
Centuries in collaboration with M. Sanchez Posada de Arteni,
I.C.O.M. Committee for Conservation 7th Triennial Meeting,
Copenhagen,
Denmark, 1984 (Paris: I.C.O.M. and J. Paul Getty Trust, 1984),
Report 84/3/1.
105
Critical Evaluation of Data on the Composition of Ancient
Materials.
Part I: Structural Components of the Paint Layer. Part II:
Paints and
Techniques in collaboration with M. Sanchez Posada de Arteni
Ibid., Report 84/11/2.
106
Materials of the Artist. The Survival of Traditional Grounding
and
Priming Methods for Oil Painting
in collaboration with M. Sanchez Posada de Arteni, Ibid.,
Report 84/11/8.
107
The Secret of the Masters: Historical Controversies and Hypotheses
in collaboration with M. Sanchez Posada de Arteni, Ibid.,
Report 84/11/12.
108
From Handcraft to Massproduction. Notes on the Manufacture
of
Oil Painting Materials
in collaboration with M. Sanchez Posada de Arteni, Ibid.,
Report 84/19/1.
109
Artist, Preserver, and the Question of Survival for Contemporary
Painting
Fifth International Restorer Seminar, Veszprem, Hungary, 1985
(Budapest: National Centre of Museums and U.N.E.S.C.O., 1985)
121-125.
110
Nuestro Ancestro Esta en Peligro
in collaboration with M. Sanchez Posada de Arteni,
International Conference on Archives,
Cali, Colombia, 1986, Unpublished.
111
Peinture, Restoration, Societe
in collaboration with M. Sanchez Posada de Arteni,
I.C.O.M. Comittee for Conservation 8th Triennial Meeting,
Sydney, Australia, 1987
(Los Angeles: J. Paul Getty Conservation Institute, 1987)
II 525-531.
112
The Essential Dilemma of Contemporary Painting
Sixth International Restorer Seminar, Veszprem, Hungary, 1987
(Budapest: National centre of Museums and U.N.E.S.C.O., 1987)
443-448.
113
Drawing Materials and Water-base Mediums
in collaboration with M. Sanchez Posada de Arteni
Ibid., 449-456.
114
A Wandering Journey
Unpublished lecture/calligraphy demonstration
(Greek, Sanskrit, Chinese, Japanese)/calligraphy workshop,
April 7, 1999,
St. Mark's Library, The General Theological Seminary, New
York, NY.
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