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Heidegger emphasizes the iconic potential of the written linguistic sign
qua sign.
Sign (signum, secare: to cut) is that trace-in-time/way-marking/brushpath
that marks the open, structured with the paths of a showing.
Ritual, reflecting a presemantic state of communication,
is a characteristic of every mark (Derrida).
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Tao is way, waying, the art-less play of becoming one with
the action.
Play as structure, as self-presentation, is the mode of being of the work
(Gadamer).
Chance occurrence (Mallarme), which creates a horizon of
forgetting/erasure and recollection/pentimenti becomes
an
object of affirmation (Deleuze) as it ruptures the process
and sees to it that the work obeys laws of its own.
The charakter (to mint, imprint, coin) remains sous rature
as an
inarticulate presence. Iterability constitutes its identity in all deformations
of
material incarnation.
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